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There are those who have looked at them with curiosity, those who have read them with interest, others have photographed them, and there have also been those who have not resisted the temptation to take them home and have waited for the night to act undisturbed.

The extemporaneous poetry set up on the bridge of the canals and on the overpass of Porta Genova collects compositions that speak of the present day, of television, dreams, freedom, love, betrayals, with a writing that omits virtuosity to become communication, street poetry. These are the words that seek the reader, they kidnap him catapulting him into a new dimension, a suspended world, where art becomes one with the city.

Francesca Cardia, Epolis Milan, 23 November 2009

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There are those who have looked at them with curiosity, those who have read them with interest, others have photographed them, and there have also been those who have not resisted the temptation to take them home and have waited for the night to act undisturbed.

The extemporaneous poetry set up on the bridge of the canals and on the overpass of Porta Genova collects compositions that speak of the present day, of television, dreams, freedom, love, betrayals, with a writing that omits virtuosity to become communication, street poetry. These are the words that seek the reader, they kidnap him catapulting him into a new dimension, a suspended world, where art becomes one with the city.

Francesca Cardia, Epolis Milan, 23 November 2009

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